Friday, November 6, 2015

The Theology of Worship Music – Our God by Chris Tomlin, et. al.

The Theology of Worship Music – Our God
by Chris Tomlin, Jesse Reeves, Jonas Myrin, Matt Redman

One of the Hebrew words for praise is “halal,” which means, “to boast about our God.” This song, Our God, by Chris Tomlin, Matt Redman, and others is the essence of “halal.” From beginning to end the lyrics tell of the wonderful things God has done.

The verses allude to things Jesus did during His time on earth. Turning water into wine (the wedding in John 2), opening the eyes of the blind (John 9 and others), and shining in darkness (John 8:12) are clear references to actions or statements made by Jesus.

The chorus lauds the attributes of Our God: greater, stronger, higher, healer, and awesome in power. (There are multiple references for these.) The bridge then declares complete faith in Our God by declaring, “If God is for us, who can be against us.” (Romans 8:31)


I love singing this song, and any song like it. There is no greater way for Believers to express their faith than through declarative songs like Our God. If you’re not familiar with it, check it out.

Thursday, November 5, 2015

The Theology of Modern Worship Music – One Thing Remains (Your Love Never Fails) by Brian Johnson, et. al.

The Theology of Modern Worship Music – One Thing Remains (Your Love Never Fails)
by Brian Johnson, Christa Black Gifford, Jeremy Riddle

There are some very interesting videos on YouTube and other places that give you the lyrics to part of a song and ask, “Is it a love song or worship song?” Many times it is hard to distinguish between the two. I understand that worship to Jesus from His Church, the Bride of Christ, is love songs to Him. I have led many of the songs that fall into this nebulous realm because they lack direct references to the Trinity.

Today’s song is one of these. One Thing Remains (Your Love Never Fails) is a song that has one focus: love. When sung in a worship setting it gives voice to the deep love the Believer has for his/her Lord. If you were to tune in to a random radio station playing the song it could just as easily be a secular love song.

The bridge is the most overtly Christian of all of the lyrics. “My debt is paid. There’s nothing that can separate my heart from Your great love.” It’s hard to imagine how this phrase could be mistaken as a secular love song.

At any rate, that is one of the main criticisms given modern worship music. I personally don’t have a problem with it. I know what is in my heart when I sing songs like this. I don’t have a problem with “redeeming” secular love songs and using them as worship to the Lord. We have sung Joe Cocker’s “You Are So Beautiful” many times in worship. I love it.

You're everything I hoped for
You're everything I need
You are so beautiful
To me

Well, let’s get back to the issue at hand. What is the theology behind One Thing Remains? As I mentioned earlier, the song has a sing focus: love. I believe it to be the love of God. Here’s something Jesus said that can help us understand why a Believer might sing this song.

Matthew 22:36-40 (ESV) “Teacher, which is the great commandment in the Law?” And he said to him, “You shall love the Lord your God with all your heart and with all your soul and with all your mind. This is the great and first commandment. And a second is like it: You shall love your neighbor as yourself. On these two commandments depend all the Law and the Prophets.”

That pretty well explains the title: One Thing. When Jesus, the Word of God made flesh, says love is the most important thing you can take it to the bank.

1 John 4:19 (ESV) We love because he first loved us.

The only reason we the capacity to love is because of the love of God. His love becomes our purpose, our mission, our ministry.

1 John 3:16 (ESV) By this we know love, that he laid down his life for us, and we ought to lay down our lives for the brothers.

Just as verse two of the song declares, “On and on and on and on it goes, it overwhelms and satisfies my soul”, we could go on and on about the love of God. It is the reason we worship. I’m glad we have songs like One Thing Remains to express our gratitude to God for His love, without which we would be lost, and without His love we would not the capacity to love others.


Thanks, Bethel Music, for generating some great worship songs to lead us into a deeper walk with our Lord.

Wednesday, November 4, 2015

The Theology of Worship Music – Lord, I Need You by Christy Nockels, et. al.

The Theology of Worship Music – Lord, I Need You
by Christy Nockels, Daniel Carson, Jesse Reeves, Kristian Stanfill, Matt Maher

A song of prayer to our Lord, Jesus Christ, is one of the purest forms of worship. This is a song of consecration unto God; Lord, I Need You. The theme is clearly prayer directed toward God. There is no specific scripture passage that is identifiable in the text of the verses or chorus, but you can find many passages that reinforce the thoughts expressed.

I think the idea of the song came from the familiar hymn “I Need Thee Every Hour.” The choruses of both songs are very similar. The verses, however, are very different. In case you are not familiar with the old hymn, here are the verses and refrain (chorus).

I need Thee every hour, most gracious Lord;
No tender voice like Thine can peace afford.

Refrain:
I need Thee, oh, I need Thee;
Every hour I need Thee;
Oh, bless me now, my Savior,
I come to Thee.

I need Thee every hour, stay Thou nearby;
Temptations lose their pow’r when Thou art nigh.

I need Thee every hour, in joy or pain;
Come quickly and abide, or life is vain.

I need Thee every hour; teach me Thy will;
And Thy rich promises in me fulfill.

I need Thee every hour, most Holy One;
Oh, make me Thine indeed, Thou blessed Son.

Public domain.
Verses by Annie S. Hawks, 1872
Refrain (chorus) by Robert Lowry, 1872

Verse one of Lord, I Need You begins with bowing before the Lord and declaring our need for Him. Verse two follows with a description of God’s grace and purification (holiness) through the presence of Christ in our life.

1 Peter 2:24 (ESV) He himself bore our sins in his body on the tree, that we might die to sin and live to righteousness.

The hook of the song is my favorite line and is found in the chorus: “My One Defense, my Righteousness.” When we face our Maker at judgment our only hope for entering heaven is through our Savior, Jesus Christ. He is our only Defense when on trial in heaven’s court. It is through His righteousness, and Him becoming our Righteousness, that we are able to stand before the Lord without shame.


I love the old hymn. I love the new hymn. Both are great songs of consecration to the Lord. Let us stay submitted to Him.

Tuesday, November 3, 2015

The Theology of Worship Music – Oceans (Where Feet May Fail)

The Theology of Worship Music – Oceans (Where Feet May Fail)
by Joel Houston, Matt Crocker, Salomon Ligthelm

Hillsong has become a standard in the Worship Music Industry. They have consistently had top 25 songs since coming on the scene with Shout to the Lord, and many, many others. Oceans joins that list as one of the top songs for quite some time.

The concept of the song is based in the experience Peter had with Jesus while at sea.

Matthew 14:25-33 (ESV) And in the fourth watch of the night he came to them, walking on the sea. But when the disciples saw him walking on the sea, they were terrified, and said, “It is a ghost!” and they cried out in fear. But immediately Jesus spoke to them, saying, “Take heart; it is I. Do not be afraid.”

And Peter answered him, “Lord, if it is you, command me to come to you on the water.” He said, “Come.” So Peter got out of the boat and walked on the water and came to Jesus. But when he saw the wind, he was afraid, and beginning to sink he cried out, “Lord, save me.” Jesus immediately reached out his hand and took hold of him, saying to him, “O you of little faith, why did you doubt?” And when they got into the boat, the wind ceased. And those in the boat worshiped him, saying, “Truly you are the Son of God.”

First of all, the name Oceans is not actually found in the story, but Seas just doesn’t have much ring to it.

This is a story in the Bible that causes many different responses. Many praise Peter for having faith to exit the boat and “step out upon the water” to go to Jesus. But look again. Peter was with the group “terrified, thinking Jesus is a ghost.”

I personally do not think Jesus “called Peter out of the boat” to test his faith. Again, look at the story. Peter put Jesus in a situation where He had few options. Peter commanded, “Lord, if it is You, command me to come to You on the water.” What was Jesus to do? Jesus simply responded by saying, “Come.”

Peter did have faith in Jesus’ response. He stepped out of the boat. But soon fear gripped Peter to the point that he began to sink, and feared of drowning. Jesus helped Peter back to the boat where He chastised Peter saying, “Why did you doubt?”

Jesus was coming to join the disciples in the boat. He was not there trying to teach Peter a spiritual lesson. However, being the Teacher that He is, took the opportunity to show Peter he was capable of doing anything through faith.

The chorus in Oceans speaks to the error Peter made. He lost focus on Jesus and started watching the waves. He allowed fear to pull him away from the “call” of Jesus. The song states a determination to “keep my eyes above the waves.” Verse two then follows with a reference to the human condition: we have feet of clay. (Daniel 2:41-42) It follows with a determined proclamation of trust in the Lord: “You’ve never failed, and You won’t start now.”

The bridge of Oceans is a prayer, asking the Holy Spirit to lead us to deep waters where our human strength could never take us. It reminds me of a passage in Ezekiel where the prophet describes “level” of water, which many have correlated with spiritual maturity.

Ezekiel 47:3-9 (ESV) Going on eastward with a measuring line in his hand, the man measured a thousand cubits, and then led me through the water, and it was ankle-deep. Again he measured a thousand, and led me through the water, and it was knee-deep. Again he measured a thousand, and led me through the water, and it was waist-deep. Again he measured a thousand, and it was a river that I could not pass through, for the water had risen. It was deep enough to swim in, a river that could not be passed through. And he said to me, “Son of man, have you seen this?”

As I went back, I saw on the bank of the river very many trees on the one side and on the other. And he said to me, “This water flows toward the eastern region and goes down into the Arabah, and enters the sea; when the water flows into the sea, the water will become fresh. And wherever the river goes, every living creature that swarms will live, and there will be very many fish. For this water goes there, that the waters of the sea may become fresh; so everything will live where the river goes.

“Everything will live where the river goes.” If you’ve never read “Following the River” by Bob Sorge, I would highly recommend it. He explains the flow of worship using a river as an analogy to help us. I believe Oceans could have easily been named “Rivers,” but that is left to the author. One obvious reason for the choice of names is the perceived depth of an ocean verses a river.


Except for the bridge of the song, pronouns are used to reference the Godhead. The content of the song is clearly centered on Christ, but lacks a lot of direct reference. Not necessarily a criticism here, just an observation. The song invokes a power response from those that engage in expressing their own faith when singing Oceans. Myself included.

Saturday, October 31, 2015

The Theology of Worship Music – Cornerstone

The Theology of Worship Music – Cornerstone
by Edward Mote, Eric Liljero, Jonas Myrin, Reuben Morgan, William Batchelder Bradbury

This remake of a familiar hymn by the folks at Hillsong has many singing these lyrics for the first time, even though they were penned in 1834. This has become a common motif since the onset of modern worship music. Not all attempts to remake old hymns are successful, but they found a winner with this one.

Originally written by Edward Mote, it has several names, Solid Rock, My Hope Is Built On Nothing Less, among them. Hymns like this one were rarely named. They were most often referred to by the first line of the first verse.

Cornerstone uses the first, second, and fourth verses of the original hymn with a new chorus. The word “cornerstone” never appears in the original hymn, but is clearly the topic of the song. The original chorus eludes to this as “Christ, the Solid Rock.”

Paul uses this image to describe The Church, the Household of God, is built on the foundation of the apostles and prophets, with Jesus Christ being the Cornerstone.

Ephesians 2:19-21 (ESV) So then you are no longer strangers and aliens, but you are fellow citizens with the saints and members of the household of God, built on the foundation of the apostles and prophets, Christ Jesus himself being the cornerstone, in whom the whole structure, being joined together, grows into a holy temple in the Lord.

The first verse contains a phrase that apparently is very misunderstood. I read many posts on possible meanings of “sweetest frame” and could not find one that captures the intent of the hymn writer. Look at the definition of the word.

Frame - basic structure that underlies or supports a system, concept, or text.

It seems to me that the author is using “sweetest frame” in reference to poetry, or at the very least flowery words. He’s saying that regardless of how pretty the words may be it must find its meaning in Jesus Christ. Paul warns Timothy with these words.

2 Timothy 4:3 (ESV) For the time is coming when people will not endure sound teaching, but having itching ears they will accumulate for themselves teachers to suit their own passions,

We cannot be drawn away from the truth by meaningless words. This is one of the reasons I chose to start this thread on Modern Worship Music. There are many songs that have a great groove, a catchy hook, and really move people when they are sung, but fail the Truth Test. Just because it sounds good doesn’t make it Gospel. Edward Mote knew this, and thus he wrote the hymn.

The hymn writer continues with verses that speak to trials that come to everyone. When darkness, storms, and floods come we should not be discouraged or knocked off course. Our prize of Heaven awaits us, as expressed in the last verse.


I love both songs, the original and the new, and hope you get acquainted with both.